Ezra Jacobs & Thomas Haighton live
May 30, 2009
A live improvisation by Thomas Haighton and me in Amsterdam’s “Smart Project Space”.
Download the 32-minute piece here
Klachterlater
May 22, 2009
A ‘remix’ of abandoner, a track by Steven Wilson.
Klachterlater
Spleetdool, Sluiervuist and Stalkerslast
May 8, 2009
spleetdool
Processed music toy and some fragments from an early version of Ezra’s zierter’s spat
sluiervuist
Processed voice improv
stalkerslast
Processed guitar, voice and singing bowl.
Bas live set
April 12, 2009
New track: Murwvuller
January 20, 2009
A work in progress, but for some reason I didn’t save the project and only exported it as an mp3.
murwvuller
Bas
Zierter’s Spat
December 12, 2008
A dripping wet sounding piece of mine. It sort of dries up near the end, finishing rather airy. 7′
Free EP: Bas van Huizen – Zijgersveins
December 12, 2008
There have been two releases for Waterscape and Kaspar Hauser records in the pipeline for quite a while now. Hopefully they see the light of day soon.
The music is slightly different from my usual output as it’s mostly based on live looping of guitar and singing bowl.
Zijgersveins is a free EP of 5 tracks which didn’t make those two albums, but work surprisingly well together as a compact standalone taster.
Download the zip here with the mp3’s and artwork.
Gammelman video by Keiko Hosoya
October 1, 2008
Japanese video artist Keiko Hosoya made a video for my track Gammelman.
Trappen in de val die verwachting heet…
September 11, 2008
Some older tracks from me this time.
Trappen in de val die verwachting heet
These were released on the Lomechanik double album Ruis voor thuis/Iets met biets.
The versions here are different mixes and I added another section in Trappen.
A remix I did for some Dutch indie band. As far as I know, it was never used. I wonder why?
If you speak Dutch, you might be able to figure out the name of the band through the track title.
They’re not worth mentioning 
- BitterBas
Krkkl
September 7, 2008
For this one I made dense blocks of sound that move slowly as a whole but still have many different smaller gestures and details inside. To make space for these smaller things I tried to make the blocks as large as possible, in an acoustic sense (with spatially wide & surrounding sound) but also in the sense of them developing slowly and articulated. Loud. 23′
Ezra
